(The Grounds of Music)
An academic article by Christophe Rulhes for Brussels-based review Sociétés. It offers a reflection on how categories can be challenged by experience in a disorganised but exhilarating way. It later became part of an eponymous book, published by l’Harmattan, Marc Perrenoud (ed.), prefaced by Antoine Hennion. Rulhes' article is in French.